Room I · The Studio

SAPINU

The Inu

A gentleman in a top hat who has quietly painted himself into every masterpiece worth hanging. Now it’s your turn at his easel. Paint something, sign it and hang it in the museum.

  1. Paint on the canvas. The faint sketch is the master, trace him or ignore him.
  2. Sign it and download it.
  3. Hang it in the gallery with your name on the placard.
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Mouse, finger or pen. Stamps drop where you tap.
Room II · The Collection

He was there all along

Eight works from the master, and a wing for yours. Each one began as a painting you already know and ended with a top hat in it. Click any frame to look closer.

The permanent collection
Portrait of the Inu in a top hat and tuxedo, his apprentice peeking over his shoulder
Portrait of the Artist with ApprenticeInk and pencil on paperPermanent collection
Room III · Biography

A gentleman of fine taste

I · The hat

Born in a studio

Nobody knows exactly where he came from. The story told in the galleries is that he was found asleep under an easel in an old painter’s studio, curled in a top hat that was three sizes too big. He never took it off.

He grew up among canvases, turpentine and unfinished masterpieces. While the master painted, the Inu watched. He learned how light falls on a face, how a brushstroke carries a mood, and how nobody ever looks at the corners of a painting.

II · The habit

Painting himself in

It started as a joke. One night he climbed into a portrait and added himself to it, top hat and all. By morning nobody had noticed. So he did it again, and again, moving from one great work to the next.

“A masterpiece is only finished when someone in a top hat is looking back at you.”

Swirling night skies, famous smiles, screams on a bridge, quiet farmhouses. He visited them all. The paintings changed a little. The Inu didn’t change at all.

III · The apprentice

Never alone

Somewhere along the way he picked up a follower: a smaller, rounder Inu who can’t paint yet but never misses a chance to appear in the frame. He peeks over the master’s shoulder in almost every work. Collectors say that’s how you tell a real one.

IV · The collection

Now on-chain

Today the collection lives on-chain, where nothing gets painted over. The museum is open to everyone, the studio is free, and anyone who holds a piece of it becomes part of the story.

Top hatNever removed, not even for portraits.
Bow tieAlways black. Always straight.
The signatureEvery work is signed in the corner, small and neat.
Room IV · Acquisitions

How to add him to your collection

The museum follows a strict acquisition procedure. It takes about two minutes.

  1. Get a wallet

    Install Phantom or Solflare and keep your recovery phrase somewhere safe.

  2. Add SOL

    Buy or send SOL to your wallet, with a little extra for fees.

  3. Check the CA

    Use only the contract address shown on this page. Forgeries hang in every market.

  4. Acquire

    Swap SOL for the token and welcome to the collection. Only use what you can afford to lose.

Tip your hat.

The museum never closes. Neither does the Inu.

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